赏画|唐寅《桐阴清梦图》
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《桐阴清梦图》轴,明,唐寅绘,纸本,水墨,纵62厘米,横30.9厘米。
本幅行书自题七绝诗一首:“十里桐阴覆紫苔,先生闲试醉眠来;此生已谢功名念,清梦应无到古槐。唐寅画。”钤“吴趋”朱文圆印、“唐寅私印”白文方印、“唐阿大”朱文方印。鉴藏印有“松莲鑑定”白文方印、“东吴王莲泾藏书画记”朱文长方印等。
《桐阴清梦图》以人物画为题材,抒发画家的生活遭遇和感受。此图用水墨白描手法,画梧桐一株,桐阴坡石处一人仰面闭目,坐於交椅之上,神情生动自然。构图简洁,用笔洗练,风格洒脱,韵致清逸,是唐寅白描人物画佳作。诗、书、画相得益彰。虽未署年款,但从题诗内容可以看出,此图是他在科场案受打击回苏州后所作,是画家看破尘事,不再追求功名,从此幽居林下的写照。
唐寅为人性情疏朗,生活放诞,许多关於他的传说故事广为流传,妇孺皆知。他的诗、曲、书、画均颇有成就,尤以画名为最著,题材广泛,山水、人物、花鸟、竹石无一不精。曾以周臣为师,青出于蓝,并从宋元诸名家绘画中汲取营养,特别在继承南宋李唐、刘松年传统画法上有新的发展,形成了自己严谨秀逸的画风,成就突出,影响深远,在书史上有很高地位,是明代中期文人画的重要代表,与沈周、文徵明、仇英并称“吴门四大家”。
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