澳大利亚著名风景画家亚瑟·史翠顿,他善于捕捉独特的光影色彩 2024-07-30 06:03:31 Arthur Streeton 亚瑟·史翠顿 澳大利, (1867–1943)作品欣赏阿瑟·史翠顿(Arthur Streeton,1867-1943年)澳大利亚最知名的风景画家之一,海德堡画派,印象派风格,以澳洲本土风景、全景图为主,捕捉其独特的光影色彩,一战期间随军艺术家。局部▼·················································································································································································································作品受法国印象派和透纳的影响。1892年成为第一个在英国伦敦皇家艺术学院展出作品的澳大利亚艺术家,并被巴黎沙龙展授予荣誉称号。48岁时他加入了英国皇家军队医疗团,是澳大利亚重要艺术家与战争力量,获得荣誉中尉的军衔。战争结束后,恢复了绘画。伊格莱蒙特,金色夏天 81*153厘米 1889年 油画 澳洲国立美术馆局部▼·······················································································································································································································背景:这幅画是澳大利亚画家第一次参加两家伦敦皇家学院画展和巴黎沙龙画展并获奖作品,1995年被澳大利亚国家美术馆以3500万美金收购。赏析:描绘的是位于墨尔本郊区的起伏的农村平原,田园诗般宁静的风景,简洁而精美,被认为是澳大利亚印象派的杰作。··············································································································································· ···························································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································································· 菲尔国画艺术联盟 展示中国知名画家的作品,介绍国画艺术知识公众号 赞 (0) 相关推荐 【Scope·视界】色彩引领艺术 杉本博司作品 色彩不仅仅是一种表达和创作的工具,更承载着一种艺术家思考上的流变.艺术家本人并不定义或创作线条,而色彩才是他们作品夺目的重点所在.在他们的作品中,色彩与物体主次分明,层层制约.艺术家对色 ... 解读 | 做一只独立的小野兽 1905年,在巴黎第三届秋季沙龙上,一个新的艺术流派以其简洁的构思和狂野的色彩走进人们视野.在这次沙龙上,亨利·马蒂斯和他几位朋友的作品被评论家路易斯·沃塞勒描述为"野兽",并以此 ... 从古至今,艺术家们是怎么折腾的?-摄影早自习第1703天 早安,我是叶梓,今天是摄影早自习陪伴大家的第1703天. 今天是周五,我们应该来聊点有的没的,讲点轻松的话题.今天讲点什么呢,我就给大家讲一个艺术史上很有意思的一个现象,就是好像大家的艺术观念它会左右 ... 沈语冰:莫奈·印象,一生追逐光影的跨世纪画家 印象派奠基之作:莫奈<日出·印象>(1872) 晨雾笼罩的勒阿弗尔港口,远处的船只帆影林立,水天交接处,码头繁忙景象被掩盖,只剩模糊的剪影.一切是看不清的清冷孤寂,宛若港口背着画箱的穷画家 ... 印象派画家皮普尔的油画笔触、色彩和光影,太美了! 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