Political commentary through avian paintings.It's been a long while since I posted on this site, so it's fitting to start again with some work by Ida Applebroog. I was wowed by an exhibit of her work at the Ronald Feldman Gallery sometime in the late 1980's, and several decades later, her body of work still feels as odd, jarring, raw, honest, and contemporary as it did back then. The excerpts below from a 1999 Interview with Ida Applebroog by Patricia Spears Jones in Bomb Magazine capture the power of Applebroog's imagery:The powerful artwork of Ida ApplebroogPower, gender, politics and sexuality
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艾达·艾波布鲁格(Ida Applebroog),《标本(红喉蜂鸟)》[Specimens (Ruby Throated Hummingbirds)],2018,水彩 石膏 粗麻布 铜线 麻线 纸 木材;6只鸟Overall: 50.2 x 21 x 5.4 厘米 / 19 3/4 x 8 1/4 x 2 1/8 英寸,© 艾达·艾波布鲁格
艾达·艾波布鲁格(Ida Applebroog),《肖像(金丝雀)》(Portraits (Canary) ),2019 ,超级镜面油墨 凝胶 聚酯薄膜 ,127 x 121.9 厘米 / 50 x 48 英寸
艾达·艾波布鲁格(Ida Applebroog),《枭》(Owl),2018 ,超级镜面油墨 凝胶 聚酯薄膜 ,83.8 x 111.8 厘米 / 33 x 44英寸
艾达·艾波布鲁格(Ida Applebroog),《红雀》(Cardinal),2018 ,超级镜面油墨 聚酯薄膜 ,133.2 x 101.6 厘米 / 52 1/2 x 40英寸
艾达·艾波布鲁格(Ida Applebroog),《蓝鸟》(Bluebird),2018,超级镜面油墨 凝胶 聚脂薄膜,57.6 x 108.1 厘米 / 22 5/8 x 42 1/2 英寸
艾达·艾波布鲁格(Ida Applebroog),《啄木鸟》(Woodpecker),2018,超级镜面油墨 聚脂薄膜,137 x 114.1 厘米 / 53 7/8 x 44 7/8 英寸