首发 | 水相设计 · 恋慕时空的聚散离合

WWW.DINZD.COM

慕幕 /
戏剧是人生的缩影
建筑是城市的微型
曾经,看戏在城市生活扮演举足轻重的角色,天子或庶民都在戏里找到学问、找到理想、找到抒情的共鸣。一座戏台、上百出戏,让千千万万的心能怀抱故事回到常。

In the past,  watching opera played an important role in city life.  Whether for the emperor or common people, everyone can find resonance in the opera in terms of  knowledge, ideals, and emotions.  Hundreds of operas played on a stage make thousands of people go back to daily life with the story in their heart.

以郑州独有文化「豫剧」为发想

建构上宽下窄的舞台建筑外观


戏台 Stage
恋慕时空的聚散离合
Where parting reuniting happen

郑州,中国八大古都之一,同时拥有唱腔铿锵大器的豫剧作为文化底蕴,在此创造一座属于未来的建筑时,水相设计希望它作为文化的新载体,如同从前吸引人们驻足观赏、交流的戏棚,在曲目间连结过往的缅怀及对未来的憧憬。建筑外观上宽下窄的视觉造型如居高临下的舞台,使人靠近时不自觉仰望内侧动静,等待一出戏开场而引颈期盼。

Zhengzhou, is one of the eight ancient capitals in China, and has Henan Opera of powerful singing style as its cultural heritage. When creating a building of the future in Zhengzhou, Waterfrom Design hopes it to be a new carrier of culture, just like the theater shed attracting people to stop , enjoy and communicate, as well as connect with the past and anticipate the future via several songs. As for the appearance of the building, the visual modeling that is wide at the top and narrow at the bottom looks like a stage that will appeal to people to look up to the interior unconsciously, as if they were looking forward to an opera.

我们企图以室内建筑的概念呈现内部造型与体验,利用蜿蜒、翻卷的有机立面弧度,创造量体感不等的进退面层次:安定沉坐的巨型圆柱、滑顺且连续的曲面,衔接或错位地构筑层层包覆感,营造舞台静候开演前深邃而神秘的气质。和众多稳固量体产生鲜明对比的视觉焦点,是空间底部两面自地贯穿天花板的片状曲墙,宛如有人快步经过卷起帘子一角的瞬间,昙花一现、飘逸轻盈的长袖一挥,让人对室内建筑的墙体量感产生有趣的错觉。

We attempt to use the concepts of interior architecture to present internal modeling andan experience, utilizing winding and rolled organic facade arc to create the protruding and recessed facades with different senses of quantity: Thehuge sturdy cylinder and smooth and has continuous curved surfaces, connects or builds layers of cover in dislocation and creates a deep and mysterious atmosphere when waiting for the performance to begin on the stage.By contrast with many sturdy massing, there is a visual focus of the sheet-shaped curved wall erecting from the bottom to the ceiling, as if someone trots by quickly and a corner of the curtain is lifted, and as if one swings his/her long sleeves easily and lightly. That moment is transient and will make people have an interesting optical illusion of the quantity of the wall’s interior architecture.
一入门便能被建筑端景的片状曲墙吸引
如同被掀起的帘

玩弄材质与形体的视觉冲击

那掀开的一角,看不清后方动静与轮廓的探究欲望,完整了建筑欲聚焦前台行为活动的布局。

The lifted corner inspires a desire for probing into the movements and contours that are hidden in the back, thus completing the layout that draws the focus to the movements occurring at the front stage.

沿着天花蜿蜒的照明

如同舞台上方耀眼却不夺目的聚光灯

点缀场域的律动张力

光影隙缝
格放行为表演
Gap between shadows and lights
Where the shows go on

在室内结构中我们创造许多尺度的窗体,有别于引入自然光的落地窗,室内建筑的开口更像刻意安排戏剧焦点的观景窗,无论是方正如迷你唱台,或仅能瞥见后方光影的隙缝,都是利用设计制约人们观看的方式。人在室内行走的身影,因框内框外戏剧感的见与不见,原本在乎功能的日常行为,覆上一层层表演性质的滤镜。

In the interior structure, we create a variety of windows, which are different from the French window that brings natural light indoors. The opening of interior architecture is more like a viewing window that is purposely arranged with the dramatic focus. Whether looking at a square window, which resembles a stage, or a gap, which only allows a quick  glance of the light and shadow in the back, both are designs intended to restrict people’s viewing manner.People’sindoor movement, whether can or cannot be seen because of the dramatic sense inside and outside the frame, is now coated with lens with entertaining nature.

空间内的行人也是成就表演的一部分

在看与被看之间只是一框景的区隔

不断变化的空间行为替量体赋予无穷无尽的演出,众人在高度、向度错位的不同窗景间互动,仿佛各章节的剧情共时交会,观者自由诠释脚本的时间次序,或走入其中成为表演艺术的一部分。在此,人影穿梭成为这座室内建筑不可或缺的文本素材。

The changing spatial behaviors provide massing with endless performances. So many people interact with each other in different window views in dislocated heights and dimensions, just like the plots of each chapter are intersected simultaneously. The audience can interpret the time and sequence of the scripts freely or participate in them to become a part of the performing art. Here, the figures shuttling forth and back have become the indispensable source materials for the interior architecture.
延伸舞台的意象
2楼两侧的框景窗让观者一览空间内的所有行为

从入门、穿梭与交谈间宛若一场舞台表演

在设计之下,制约了观看角度

却予人一种探究一二的欲


影子的蔓延与交叠
是不计得失的表演
The extension and overlapping of shadows a performance regardless of gain or loss

立面造型与掺入行为表演的设计语汇已够强烈,因此我们保留空间使用材质与色彩的纯粹性。只采用色调单一且相近的水磨石与灰漆,塑造立面无边、连贯的整体感,也像一切尚未开演、沉静等候的布幕,揣着即将叙述的故事予人漫无边际的想像。

Since the facade modeling and the design of mixing performance acts have been expressive enough, we leave room for the use of pure material and color. Only using the terrazzo and gray paint with a single and similar color to create a boundless and coherent overall sense of the façade, it is also like a curtain waiting to be lifted before the show, giving people endless imagination on the story about to be told.

但在错位的后层立面上,我们另外安排两种浓烈的色彩——朱赭与黛蓝,不破坏偌大灰白布幕的雅净与堂皇,小小的景里头藏着重重的颜色,衬出进退面的距离,深化人们对空间另侧别有天地的好奇,框景内的表演也多了一分隆重。

However, on the misplaced rear facade, we especially arranged two other deep colors-auburn and dark blue, which do not interfere with the elegance and grandeur of the large grayish-white curtain. The small scene contains countless layers of colors, which set off the distance between the protruding and recessed facades, deepening people's curiosity about the other side of the space, and making the performance in the frame a little grander.

伴随日照自然渐移的光影变化,室内非矩阵的照明像镶在苍穹的亮点,又如岩隙里渗出的光,在沈默的布幕间点缀出视觉律动。时间在建筑上投放了光影此消彼长持续形变的动态雕塑,耐心观赏便能看出端倪。

With changes of light and shadow along the natural shifting sunlight, non-matrix indoor lights are creating a visual rhythm on the silent curtains, resembling the bright spots in the sky and the light leaking from the rock gap. Time has cast a dynamic sculpture with the trade-off light and shadow on the building;it takes some patience to see what it is.

效果图
Impression Drawing

立面图

一层平面布置图

二层平面布置图

空间设计 | 李智翔、葛祝纬、池佰镇、张子轩、陈宥儒/水相设计
Designer | Waterfrom Design
项目业主 | 华润置地郑州
Client | China Resources Land Limited
空间性质 | 接待会馆
Space type | Reception hall
座落位置 | 中国郑州
Location | Zhengzhou, China
室内面积 | 1,060平方米
Area | 1,060 ㎡
空间格局 | 接待区、洽谈区、品牌展示区、办公室、卫生区
Layout | reception area. sales area. display area. office. toilet
设计时间 | 2019.03~2019.10
Design Period | 2019.03~2019.10
施工时间 | 2019.10~2020.01
Construction Period | 2019.10~2020.01
主要材料 | 浅灰色手工漆、灰白双色手工漆、灰色水磨石、实木皮染蓝、实木皮染红、原色镜面不锈钢
Material | light gray hand paint. gray and white double hand paint. grayterrazzo. blue veneer. red veneer. mirror stainless steel.
项目摄影 | 鲁芬芳
Photographer | LU,FEN-FANG

设计总监 / 李智翔(Nic Lee)

『水的形状来自承载容器,以无垠想像适应环境变化。』

成立于2008年的水相设计跨足室内与建筑领域,秉持设计应如『水』的初衷,纯淨、有机又多变,本质上保持其原有的简洁性,意念上展现无框架的可能性。我们致力关注于空间的故事脉络及时间光线,创造一个具有情感沉淀及讯息想像的空间。近年来,水相设计陆续荣获iF、A’Design、国家金点奖、Asia Pacific Interior Design Award、Taiwan Interior Design Award、IIDA、BoY等奖项殊荣,作品也深受义、荷、法、韩等国际媒体报导。

Flowing Light;Mario Botta曾说过“失去了光线,空间就不再存在。”在光线下,空间有了表情,也才有了时间的意义。我们专注让光线在空间的影响力极大化,感受光线在空间流动。

Sensing Space;空间不只是观看的视觉体验,在材质转换间,各种感官都在介入空间。我们喜欢尝试各种材质在空间中解散重组,让材质自身透过观看及触碰叙述空间的个性与故事。

Humorous Art;因为一直对设计保持高度好奇心,对于太制式的殻体会忍不住皱眉。设计的养分不仅来自伟大建筑师,更多来自艺术家,我们试图把幽默玩心放在空间中,变成一只大型装置艺术。

水 相 设 计 推 荐 案 例

华润济南CBD
厦门中南九锦台

福州万科金域国际体验中心



DINZ 品 牌 设 计 案 例

DIA丹健国际 / 作品即实力

GND设计集团 / 视觉美学先行者

G&K桂睿诗 / 不失经典的优雅

   DOMANI 东仓建设 / 艺术近在咫尺

   GRANDRAW观筑 / 品牌形象新定位

DINZ德国室内设计网 / 全新的数字体验

(0)

相关推荐

  • 360°沉浸式剧场体验设计,是这家餐厅的亮点!

     空间 | VIS | 插画 | 摄影 |  营销 搜罗世界上最具创意的餐饮 ﹀ ﹀ 今天我们来分享一个沉浸式的餐饮空间,俄罗斯第一家沉浸式餐厅"Beauty"这不仅仅是一家餐厅, ...

  • 首发 | DOMANI东仓 / 无界之镜【环球设计2432期】

    映月幻境 于无限中遇见永恒 于光影中感受虚实 凤起潮鸣售楼部坐落在宁波东部新城CBD核心,在新兴的财富阶层迅速崛起的时代背景下,宁波这座城市紧随国际化的进程,呈现出新的城市风貌. DOMANI东仓建设 ...

  • 壹舍方磊新作 | 丰富都市人居新体验 重新解读精致生活 ——上海招商虹桥公馆二期

    人们从未停止对生活的想象与期待.现代城市中,工业化环境割裂自然意趣,商业繁华打破舒缓步调,人们极力寻找心目中的栖居之所. 而上海招商虹桥公馆二期即是为了实现人们的"心之所向",配备 ...

  • 新古典,不一样的奢华!

    新古典空间 INTERIOR DESIGN新作,面积65㎡的新古典主义公寓,墙壁上的经典装饰线条,以浅色为主,黄铜元素的搭配,富有表现力的外观,符合业主的个性和品位,是对高级美学和工作室独特风格的赞美 ...

  • 安抚心灵的画作-丹麦画家眼中的日常风景

    哈莫修依Vilhelm Hammershøi,通常用英语写成Vilhelm Hammershoi,是丹麦画家.他以富有诗意,柔和的肖像和室内装饰著称. 有时候要表达汹涌得快要溢出的情绪,不一定要像蒙克 ...

  • 周四产品说丨让人过目不忘的售楼处长什么样?(下)

    地产企业的项目营销中心不仅是企业形象的标志,也是企业文化.精神.形象表现的艺术载体.中国房地产市场发展之初,各地的项目营销中心设计,最大趋势特点就是"比豪华大赛",以此来表达开发商 ...

  • 首发 | 水相设计 李智翔 / 漂浮之门 ,非凡气质【环球设计2518期】

    艺术营造 一城一墙 千丝万缕 将光迎入连绵的墙里 每座城都有属于自己的墙,圈起一方天地.筑出跨越世纪的文明.早在西安还是长安时,城墙已是人们生活的尺度依归,数千年来墙垣安内攘外.城门定位着出入和巷道经 ...

  • 【胖哥*精品美诵】聚散离合,家的暖//主播:云菲.

    <聚散离合,家的暖> 作者:胖哥.主播:云菲.主审:玫瑰. .主编:玫瑰.总监:张洪福.云之翼. 收听以上朗诵音频 <聚散离合,家的暖> 人走着走着就散了 感情慢慢的变淡了 在 ...

  • 聚散离合没有模版

    "新凤霞去世之后,他已不再能说话了,是唐瑜米寿,在"夜上海".吃饭之后,唐瑜的夫人叫我,说:"吴祖光要和你照张相."我当时愣了一下.几十年的老朋友了! ...

  • 人生,就是一场聚散离合

    ZAKER生活 2021-03-29 04:12 茫茫人海,多的是擦肩而过的过客, 几人能回眸?几人会驻守? 回眸人生,多的是新交, 几人是故友?几人会与你相依不离? 都说谁都是谁的过客, 也深知谁都 ...

  • 【三江文学】诗人走出山洼的汉子:聚散离合就在瞬息之间

    [三江文学] [原创作品]总第一百八十四期 主编:狂哥 投稿邮箱:top_001@163.com 投稿微信:185 5026  0199 投稿QQ:3036913545@qq.com 聚散离合就在瞬息 ...

  • 两部宋版《毛诗》的聚散离合

    汉代传<诗>凡四家,齐.鲁.韩.毛.<鲁诗>亡于西晋,<齐诗>亡于北魏,<韩诗>亡于有唐,我们现在提及<诗经>,主要是<毛诗>. ...

  • 诗画 |李繁荣:时光里的聚散离合

    欢迎耳朵们    被带走的年味 过年了,姑娘回来了 儿子回来了,女婿和外孙都回来了 孤寂的家开始热闹起来 过完年,姑娘走了 儿子走了,女婿和外孙也走了 家里只剩下我和妻子俩人 过了二月二,上了坟 我和 ...

  • 聚散离合

    花开花落,往事经年 繁华落尽,聚散相依 --- 诗情 | 画意 | 写人生 | ​    ​<​聚散离合​​​​​​​​​​​> 文/居子铃 人群中过客匆匆,谁是谁的一辈子,没有人是谁的一 ...

  • 聚散离合终有时

    16 聚散离合终有时 大寒小满(十六) □一川 眼看离毕业时间也不远了,岳楠对大寒说,我想带你回徐州见见父母,好吗?大寒虽情怯,也不好拒绝. 在岳楠毕业前的一个月,大寒陪着岳楠乘着北上的列车,到了徐州 ...