意大利画家Marco Grassi,超写实油画,感性、大胆、多彩!

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马可·格拉西(Marco Grassi)出生于米兰。在过去的十年里,他一直忠实于自己的形象超写实主义风格,时尚的女性形象主题,特定的色彩组合和光亮,以最少的主题变化的满足。

格拉西的画最初一开始看起来很容易,但仔细解读却发现超写实的细节描绘让人很难忘却和解释。画面的感性、脆弱但同时又有力量,让观者质疑自己的眼睛和情感的解读。有一点是肯定的,每一件作品都散发着扑面而来的逼真而性感的气息,并通过静谧中不言而喻的视觉对话,向女性美致敬;永恒感和亲和力,反映了画中人面部表情和强烈的沉默感。

特色

格拉西的超级写实主义作品结合了装饰和鲜艳的色彩。他创造了一种永恒逼真和可信赖的感觉,反映了被画者的面部表情和强烈的沉默。

引人注目的女性形象的捕捉方式,突出了格拉西的极强的写实功底,这些引人注目的形象是以一种突出她们身份的方式被捕捉到的让人难以忘怀,并将她们的面部光晕,特别是她们的眼睛的神韵展现的光彩照人。

格拉西使用混合媒体:帆布油画、铝油画、木材和多种材质。在他的许多作品中,他使用了精美的24克拉黄金和铝箔;金叶和镀金精心制作了他的作品,并改变了画面中的绘画效果以及画布本身精美的价值。

Marco Grassi was born in Milan. In the past decade, he has been faithful to his image, super realistic style, fashionable female image theme, specific color combination and brightness, and satisfied with the least theme change.

Grasi's paintings looked easy at first, but a careful interpretation found that the super realistic details were unforgettable. The sensibility, fragility and strength of the picture make the viewer question his eyes and emotional interpretation. One thing is certain.

Each work exudes a realistic and sexy atmosphere, and pays tribute to female beauty through self-evident Visual Dialogue in silence; The sense of eternity and affinity reflect the facial expression and strong sense of silence of the people in the painting.

characteristic

Grasi's super realistic works combine decoration and bright colors. He created an eternal, realistic and reliable feeling, reflecting the facial expression and strong silence of the painted person. The capture of striking female images highlights grasi's strong realistic skills. These striking images are captured in a way to highlight their identity, which is unforgettable, and shine on their faces, especially the charm of their eyes.

Grasi uses mixed media: canvas oil painting, aluminum oil painting, wood and a variety of materials. In many of his works, he used exquisite 24 carat gold and aluminum foil; Gold leaf and gilding elaborate his works, and changed the painting effect in the picture and the exquisite value of the canvas itself.

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