宋徽宗更因铸钱精绝，当时官造成色高于崇宁重宝、崇宁元宝，而于王莽并称“钱法二圣”，是现在青铜钱中价值最高的两种钱币之一!

崇宁通宝，始于北宋徽宗赵佶时期(1102-1106年)，其年号为钱。这里有崇宁通宝、崇宁重宝、崇宁元宝三种。崇宁通宝十型，钱文为徽宗亲书，因此它也是御书钱。

Chongning Tongbao was first cast in the reign of Zhao Ji, Emperor Huizong of the Northern Song Dynasty (1102-1106), with the title of Qian. There are Chongning Tongbao, Chongning heavy treasure and Chongning ingot three kinds. Chongning Tongbao when ten type, Qian Wen for Hui Zong close book, so it is the royal book money.

此钱字写得清秀骨瘦如柴，是徽宗赵佶瘦金书身存世的真实写照。宋徽宗因铸钱精绝，当时造成色在96%-96.7%之间，高于崇宁重宝、崇宁元宝，而与王莽并称"钱法二圣"，是现在青铜货币中价值最高的两种钱币。

The calligraphy is delicate and thin, and the iron is scratched with silver hook, which is the true reflection of the thin gold calligraphy of Zhao Ji, the emperor of Huizong. Huizong of the Song Dynasty was even more exquisite because of the coin casting. At that time, the color of the official was between 96% and 96.7%, which was higher than Chongning Chongning Yuanbao and Chongning Chongning Yuanbao. Besides, it was also called "the second saint of money law" with Wang Mang, and it is one of the two coins with the highest value in bronze money now.

右方图钱体厚，青铜质，锈色古旧，开门的老坑。所以说大字版，就是品钱四字饱满，寄廓接缘。"宝宁"二字冠点长，向左倾斜；长点"崇"，斜丁"，高走"通"等，与被公认的各谱中所载的大字"崇宁"相同。除了钱径略小外，轮廓宽窄、孔径大小、颜色也基本一致。

The picture on the right is thick, bronze, old rust, and the old hole of the door. The reason why the big version, is so product Qian Wen four full words, send the margin." The crown point of "Bao Ning" is long and inclined to the left. Long point "chong", oblique Ding "ning", high go "pass", etc., and is recognized as the spectrum are contained in the character "chong ning tong bao" similar. In addition to a slightly smaller diameter, contour width, perforation size, color is basically the same.

在宋徽宗的统治时期，书法和绘画十分着迷，并先后铸出许多图案十分精美的钱币。时至今日，我们所熟知的崇宁重宝都是广为流传的珍贵钱币之一，除崇宁重宝外，还有圣宋通宝、大观通宝、宣和通宝、重和通宝，都是出自宋徽宗时期，流通面十分广泛的货币。值得注意的是，宋徽宗本人“生性机巧、能工巧匠”，因此，他本人亲书的瘦金体，也成为铸钱的样板之一，崇宁重宝和大观重宝的钱文都出自宋徽宗的手笔。

During the reign of Emperor Huizong of Song Dynasty, he was very obsessed with calligraphy and painting, so he had many coins with exquisite designs minted successively. Today, we are familiar with Chongning heavy treasure is one of the widely circulated precious coins. In addition to Chongning heavy treasure, Shengsong Tong Bao, Daguan Tong Bao, Xuanhe Tong Bao, heavy and Tong Bao, etc., is also from the Song Dynasty Huizong years, the circulation is very wide. It is worth mentioning that Song Huizong himself "very clever, good at skills", therefore, his own book thin gold, has become one of the template of coin casting, Chongning Chongbao and Daguan Chongbao money text is from Song Huizong himself.

有关这钱，传说说它的面文是蔡京所写的，而蔡京在书写时，也是别有用心地把山和宗的“崇”字连在一起，写成了蔡京的一本书，也就是蔡京所说的“无心”字。

About this money, there is a legend, that its face is written by Cai Jing, and Cai Jing has ulterior motives when writing the word "Chong" mountain and Zong vertical pen up and down through, connected into a line; The omission of the "heart" in the traditional Chinese character "Ning" has been accused of "intentionally destroying the Song Dynasty, but not the state of peace".

崇宁通宝铸行于公元1102年，钱文是北宋徽宗皇帝亲笔书写的，因此它也是御书钱。此钱文书法清秀骨瘦如柴，铁划银钩，极有鉴赏价值，是徽宗赵佶瘦金体存世之本。

Chongning Tongbao casting line in 1102 AD, Qian Wen for the Northern Song Emperor Huizong written by the book, so it is the royal book money. The calligraphy is delicate and thin, and the iron is scratched with silver hook, which is of great appreciation value. It is the true display of the thin gold calligraphy of Zhao Ji, the emperor of Huizong.

宋徽宗因铸钱精绝，其成色高于崇宁重宝、崇宁元宝，而与王莽并称“钱法二圣”，是现在青铜货币中最珍贵的两种。还有泉界的先贤说：“搜罗这几百种泉，陈列室于绿窗几间，真有一部瘦金字帖”。

Huizong of the Song Dynasty was even more exquisite because of the casting of coins. At that time, the color of the official coin was higher than that of Chongning Chongbao and Chongning ingot, and Wang Mang was called "the second holy money method", which is one of the two most valuable bronze coins nowadays! Some sages in the spring world said, "Search for hundreds of kinds of this spring, and display them in the green window, which is really the same as a thin gold calligraphy post."

崇宁通宝的存世量很少。根据我们现在所能看到的，有泉家评：“身各一，身各一态，或如美艳玉兰，自然窈窕，或如美艳艳艳，有泉家评：”钱文书法的考究，还是铸造的精整，堪称一件艺术品。因此后来的泉家把汉王莽、宋徽宗、金章宗三个朝代所铸的钱币称为“古泉三绝”。

The existence of Chongning Tongbao is rare. According to what we can see at present, there is a Quan Jia comment: "Fan is an integral whole, body each state, or such as beauty Zanhua, natural and graceful, or such as Tiansun brocade, brilliant literary talent." Both Qian Wen's exquisite calligraphy and the fineness of casting are excellent and can be called works of art. Therefore, the later Quan family called the coins minted by the Han Wang Mang, Song Huizong and Jin Zhangzong as "the three unique coins of ancient Quan"

最新拍卖价格参考

很多藏友对于价格不太了解，觉得高价一定是虚假的

首先，古钱币的定价，每个地方、每一个买主、每个古玩市场给出的价格可能都不一样，这很正常，为什么要这样说？第一，古币的价值主要由其本身的品相决定，像古币一样散落在民间的各个角落，分散在不同的家庭、不同的人手上。经历了岁月的洗礼，有些人保存得比较完好，而有些人是错误的，所以这就造成了品相的好坏。因此，我认为古钱币的定价一定是有高有低的；其次，古钱币的收藏交易市场的价格并不是一成不变的，它会随着当地古玩市场的波动而变化，也会随着整个古玩市场的变化而变化，所以古钱币的价格高时低也是一种正常现象，它是市场正常运行的一种正常现象，而且，古玩交易市场对于不懂行的人来说，价格也是一种正常现象，它是市场正常运行的一种方式。事实也是如此。因此古代货币的价格没有一个精确的定值，但在正规的收藏市场中，它在某一时间点到点之间都会波动。

其次，古钱币作为时间的映照和历史的影子，因此，无论从哪方面来说，只要是真正的古钱币，它都有其特定的价值(包括艺术价值、历史价值、现值等等)。古钱币爱好者不仅关注其货币价值，更应注重其历史文化和艺术价值。那就是中国古代的货币文化。

收藏收货方法：

方法一：是通过玩自己收藏的朋友圈互相转让，以物换物，价值不菲的情况下再以较低的一方补足一些钱给收藏高价的藏友，这样的方式出手肯定是不理想的。

方法二：是直接私下卖给他人，私下出售藏品的价格和摆地摊一样，价格都很低，稍高一点的价钱买主就不会去买，买的也不放心，怕自己买假货。只有那些愿意捡漏的藏友才会到地摊上买些便宜的。

方法三：是通过国内有实力的收藏家协会寻找买主，通过高端交易会，港澳高端私人拍卖会，大型拍卖会等买家资源。收藏要做全方面的宣传展示和藏品的展销，收藏才能获得高价值。经济时代已经过去了，世界上没有免费的午餐，也没有掉馅饼的事，时间宝贵，如你只为一点点费用而耽误了一大笔收藏，那你最好在家不卖。本协会是最专业的艺术品投资交易平台，拥有最专业的艺术投资顾问。假如您手中或者手中有一件好收藏品和宝贝要鉴定并出手交易，我会在第一时间给您支持。

个人中肯建议：做什么事总是抱着我们的就是我们的，不是我们的怎么抢都不会抢的态度 OK，否则急功近利，走捷径最后一事无成，也不希望自己的藏友在出手时能理性地看待自己，不要对自己有太大的期望。

如果你在古玩古董这条道路上走了不少弯路，诚心想要出手，快速交易