惊绝：法国艺术家伊夫·皮雷（Yves Pires）人体雕塑，淋漓展现女性人体之美！

我对造型艺术的热情始于国王乔西小学的郊区，这是巴黎郊区的一个小镇，我们和父母住在一起。一个很害羞的自然人，绘画是我的避难所，一个无穷无尽的旅游来源，来到我的内心世界。

然而，我执着地练习的天赋并不总是被师傅所理解。

在六年级的时候，我记得有一天晚上我辛勤地扩充了一张欧洲地图，这项任务需要两个小时。第二天，老师认为我只能拿走这张卡，尽管我的论点是不相信我的诚信，花了4个小时的胶水。

这一事件并没有鼓励我融入学校系统，因此我继续在课堂上画画。

当我16岁的时候，我的绘画老师鼓励我准备艺术学校。我第一次尝试油画，回到我父亲画的一幅旧画布上，我画了一幅维尔米尔头巾上漂亮的年轻女人的画。

我父母决定让我尝试艺术，即使我反对他们的计划。

第二个开学的时候，我进入了Lemonier高中，准备了塑料艺术和广告。尽管我只在那里呆了几个月，而且由于一场短暂的青少年生存危机，我决定永远离开学校。

当我19岁的时候，我服完兵役，因此我自然会在父亲旁边修复公寓。这让我能学会建筑物的不同技术同时我还利用我的闲暇时间学习雕塑、绘画、雕刻。

几天后，我搬到奥克塞尔，在那里住了八年，在那里，所有人都部分地继续与父亲合作，我开始展示我的工作，组织展览。

那时，我经历了奇妙的电影的影响，我发现了模塑技术，乳胶泡沫技术和气象学技术，通过这些技术，我实现了奇妙的图画雕塑和绘画风格。

在奥克塞尔神奇电影节上我的一部作品展览会上，我遇见了吕克贝松，他在最后一场战斗中介绍了他的第一部电影。我决定安排我回到巴黎，在视听领域工作。

我接着与Collaricocoshow节目的设计师联系，后者聘用我为副雕塑家，并与Alain Duverne在一个木偶的雕塑和一个广告的装饰。然后我遇见了设计师Serge Sommier，为了寻找一个多价塑料师，他邀请我和他一起制作。

两年后，我领导了装饰服务，十年来，我创建了集团所有节目的装饰，同时努力使我的雕塑风格成熟。

现在，我花时间创造身体，寻找这个小键，它在我的手指下，让地球生存。

当我感受到的情感穿透了我的雕塑，我成功地让你分享了它，我的目标实现了。

My passion for plastic arts began on the outskirts of King Josie's primary school, a small town on the outskirts of Paris, where we lived with our parents. A shy natural person, painting is my refuge, an endless source of travel, to my inner world.

However, my talent for persistent practice is not always understood by the master.

In sixth grade, I remember one night I worked hard to expand a map of Europe, a task that took two hours. The next day, the teacher thought that I could only take the card, although my argument was that I didn't believe my integrity and it took four hours of glue.

This incident did not encourage me to integrate into the school system, so I continued to draw in class.

When I was 16, my painting teacher encouraged me to prepare for art school. I tried oil painting for the first time, and back on an old canvas my father had painted, I painted a beautiful young woman on Vermeer's headscarf.

My parents decided to let me try art, even though I was against their plan.

The second time I started school, I went to lemonier high school, preparing plastic art and advertising. Although I only stayed there for a few months, and because of a short-term adolescent survival crisis, I decided to leave school forever.

When I was 19, I finished my military service, so I would naturally repair the apartment next to my father. It allows me to learn different techniques for buildings At the same time, I also use my spare time to learn sculpture, painting, sculpture.

A few days later, I moved to oaksell, where I lived for eight years, where everyone continued to work in part with my father, and I started showing my work and organizing exhibitions.

At that time, I experienced the influence of wonderful movies. I discovered molding technology, latex foam technology and meteorology technology. Through these technologies, I realized wonderful painting, sculpture and painting style.

I met Luc Besson at one of my works exhibitions at the Auxerre wonder Film Festival, who introduced his first film in the last battle. I decided to arrange for me to return to Paris to work in the audiovisual field.

I then contacted the designer of the collaricocoshow, who hired me as a co sculptor and worked with Alain duverne on a puppet sculpture and an ad decoration. Then I met the designer serge sommier, who invited me to work with him in search of a multi price plastic maker.

Two years later, I led the decoration service. For ten years, I created the decoration of all the programs of the group, and tried to make my sculpture style mature.

Now, I take the time to create the body and look for this little key that's under my finger to keep the earth alive.

When I felt the emotion through my sculpture, I successfully let you share it, and my goal was achieved.