于明诠 | 当代书坛创作流派与格局试说——兼及“流行书风”问题
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他们借助书法之名游走,但用意却不在书法本体。徐冰(《析世鉴》作者)、王南溟(《字球组合》作者)、张强(《踪迹学》研究者)是代表者。无论是书法主义还是学院派,他们的存在对延续几千年的中国书法艺术是具有明确的否定和革命意义的。他们虽然同样借助中国书法的笔墨纸砚进行创作,但支撑他们的美学理论和创作观念却是西方式的。打一比喻,他们的所有努力在于借书法这只“中国鸡”生“西方蛋”。
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