古典油画中的女子，美的犹如春日的阳光！
油画的发展他是随着人类社会的发展，而不断发展的，分别经历了古典、近现代、现代等时期，每个时期的油画作品受着当时的艺术文化思想支配和技法以及材料的制约，呈现出不同的时代特征。
艺术油画发展最初时期的现实条件决定了当时油画的写实倾向。15世纪的欧洲文艺复兴运动中，人文主义思想出于对宗教的批判，有着关注社会现实的积极要求，许多著名画家为逐渐摆脱单一的以宗教教经典为题材的艺术创作，
开始对当时现实生活中的人、风景、物件等，进行观察和直接描绘，使宗教题材的绘画作品带着明显的现实世俗的元素，有的画家完全描绘现实生活的实景。文艺复兴时代的画家继承了希腊、罗马的艺术绘画观念，
It not only pays attention to the work, to describe a certain event or fact, but also reveals the cause and effect of the event or fact.
At the same time, the painter also explored anatomy, perspective in the use of painting, the role of the distribution of light and shade, forming a scientific principle of modeling. The use of human anatomy enables the figures in the painting to have as accurate a relationship of proportion, form and structure as if they were real; the establishment of Focus Perspective enables the painting to form an illusory depth space through composition,
The scene in the painting has the same instant visual sense as the one in the real world; the chiaroscuro method unifies the image in the painting under the light from a main light source, forming a clear level from near to far. The artistic theme of humanism and the idea of pursuing realistic modeling can not be perfected in other kinds of paintings,
点击上方关注【古今艺术画展】
Is because of the limitations of the tool material, and the oil painting tool material properties are suitable for both fully reflected. Therefore, the classical oil painting becomes by the long-term Manufacture, the highly realistic appearance.
In the 17th century, some oil paintings emphasized the sense of light, using color contrast, light and dark intensity contrast, thick and thin layers of contrast to create a dramatic atmosphere.
The Italian painter Caravaggio broke with the orderly and harmonious light effects of his previous paintings by intensifying the contrast between light and dark, often using large dark areas in the background plane to foil the bright figures in the foreground, it makes you feel the light in the painting. Spanish painter El. Greco treated the scene to a dappled light,
He did not model from the two main surfaces of light and dark, but from the intermittent and scattered distribution of light and dark. The cold and warm colors also form intermittent and continuous changes. The use of the brush is dignified and heavy. The layers of color permeate each other in the extrusion. The picture gives a confusing effect,
Some are even mysterious and unsettling. The Dutch painter Rembrandt also used light as a means of expressing one's mental state, and he painted a large number of portraits of people in the shadow of a large, only the expression of the face
The hands and other important parts of the show bright brightness. He uses a cool color in the dark multi-layer thin paint, so that the dark appears deep, paint light with thick paint and paint knife stack color method, resulting in a heavy sense of volume. At the same time, the use of brush strokes was also emphasized by many artists to explore.