WITH, WITH THRESHING OAR, 2021Acrylic on canvas over panel31 x 27 inches,78.7 x 68.6 cm
Cistern, 2021,Acrylic on canvas over panel,74 1/2 x 98 inches, 189.2 x 248.9 cm
I Watched The Fire That Grew So Low, 2021,Acrylic on canvas over panel,70 1/2 x 92 inches, 179.1 x 233.7 cm
Tongues of Grace, 2021,Acrylic on canvas over panel,54 1/2 x 54 1/2 inches, 138.4 x 138.4 cm
The Proper Channels, 2021,Acrylic on canvas over panel,69 1/2 x 75 1/2 inches, 176.5 x 191.8 cm
Rain Rereleases, 2021,Acrylic on canvas over panel,65 x 89 inches, 165.1 x 226.1 cm
The Blow That Hurts The Ones That Don't, 2021,Acrylic on canvas over panel,51 1/2 x 75 inches, 130.8 x 190.5 cm
POV, 2021,Acrylic on canvas over panel,78 1/2 x 48 inches, 199.4 x 121.9 cm
Houses of the Holy, 2021,Acrylic on canvas over panel,80 x 124 inches, 203.2 x 315 cm
Cold Exit, 2020,Acrylic on canvas over panel,81 3/4 x 82 3/4 inches, 207.6 x 210.2 cm
Immutable Flame, 2019Acrylic on canvas over panel50.8 x 50.8 cm,20 x 20 inches
Time Signatures Won't, 2018,Acrylic on canvas over panel,87 1/4 x 113 inches, 221.6 x 287 cm
Melt Into Stone, 2018,Acrylic on canvas over panel,82 1/4 x 104 inches, 208.9 x 264.2 cm汤姆·拉杜克(Tom LaDuke )的画看起来像是一种戏弄。煞费苦心地渲染到完美的图像再被涂抹的油彩或混乱的绘画覆盖破坏,让你看到他的作品时感到焦虑和兴奋。他的作品像是两幅完全不同的画在颜料还湿着的时候擦在的一起,从工作方式上来说他的画分为四层,第一层模仿一个屏幕的表面,第二层制作一个影像的剧照,第三层反射的光出现在屏幕表面上,最后一层是破碎的厚油彩。