油画艺委会副主席油画中的苗族少女，慵懒迷人，美极了
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1997年，喜欢旅行的赵春到贵州凯里待了几天，他本来只是去散散心，可是却在那里遇到了最终令他成名的绘画题材。当时的场景非常具有戏剧性，小巷深处闪过一位少女的身影，穿着传统的苗家服饰，尽管只是匆匆一瞥，却深深印在赵春心里。
苗族这个题材没人去画，也确实比较复杂。每人都有自己的风格，符号、语言，每个人都有每个人的领域，我不想跟着别人后面走，别人的东西再好，我也还是想画自己的。我的作品在为消失的文化叹息，苗族的一些语言、服饰。我们最早去的时候，一个月就有好几个节日，你经常会看见他们做农活、做菜都穿着他们的服装。现在没有了，现在只有你花钱才能穿这个服装。不仅文化在消失，他们的语言体系等都在消失。
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赵春画的苗女有个显著的特点，脸部非常细腻、平滑，服饰和背景则层层叠叠涂了很厚的颜料，形成立体感。他解释说，这和他的国画底子有关：“我特别喜欢齐白石，他画白菜、花鸟只是寥寥几笔，但是蜻蜓、蝉，却画得极细腻，吹一下好像翅膀都会动的。全是细的不行，全是大写意也不行，画面要形成自己的语言，所以我用了很多手段，国画、油画、版画、壁画、湿壁画、雕塑，形成自己的嫁接体系。”
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其实绘画只是一种材料，它只是一种表现方式。对于艺术，可以用油画形式、可以用影像，用什么都无所谓。主要是表现出我内心的情感、我自己的语言、我自己想象的空间，再结合它们可以融为一体，产生一种画面，这才是我要的。
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赵 春，1970出生于中国辽宁沈阳,现居上海。毕业于鲁迅美术学院,任中国辽宁美术家协会会员,香港国际画院、油画艺术委员会副主席。
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