美院教授人体水墨画中的都市女郎竟如此性感，妖娆多姿！
陈恺，原名陈凯，上海人，中国当代实力画家，副教授
毕业于中央美术学院(微博)中国画系本科及硕士
现为北京电子科技职业学院艺术设计学院副教授
中国美术家协会会员，文化部青年美术家委员会委员，李可染画院特聘画家，江苏国画院特聘画家
自幼受外祖父---著名花鸟画家孔小瑜先生和舅舅---著名山水画家孔仲起先生启蒙临习中国画,先后毕业于安徽省艺术学校美术科中国画专业，中央美术学院中国画系本科和攻读中央美术学院中国画系硕士学位。师从卢沉，姚有多，韩国榛，李少文，张凭，贾又福，田黎明，唐勇力等先生。
个人展览
就画面中的境象构成来看：山石、溪湖、林木、亭台、楼阁构成了游园赏景的意象元素，畅游其中的女性有的弹奏琵琶、抚弄古筝、有的把玩长笛，更有舞文弄墨、作词赋诗者，极尽文人之雅事，当人物主体与这样的环境相融合，她们渗化于画面背景中，或与花鸟相伴，或与竹林相依，或池边赏荷，人与景同构为一种带有自然气息的文化景观。
他的作品《都市之光》他选取了侧面的角度来描绘女子动作的姿态，可以说，每一笔都心思缜密，他画出了人物优美的体态，都市感十足的韵味，却独显纯净与澄澈。都市也是一个温暖的地方，相信这是他笔下或是记忆里最为信赖的。每个艺术家都有自己独特的审美情趣，他一定钟爱着他笔下的世界，而这就是作品的灵魂。
就作品中的人物刻画而言，陈恺在把握形态的造型方式上极富多样化。他将写实手法的规范、严谨与写意风格的生动、率意进行结合，以人物的五官轮廓与形体结构为基础，进行适度的夸张变形，用艺术语言的演绎造就了形象的独特魅力，并把握住了形象自身的外在因素，以符合于具体的情境表现：有的身穿白裙，飘逸灵秀；有的身穿旗袍，典雅大方；还有的以现代装束示人，充满时代气息，在画面中，那些被一一表现的清丽女子，在艺术语汇的归纳、取舍中，以不同的服饰特色，文化习俗形成身份区别，典型化的塑造中也涌动着真善美的情感诉求。
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陈恺的这幅人物绘画作品，对于人物细节的把握，达到了一种游刃有余地步。这幅作品背景优美，人物形象生动。画家用不多的笔墨来进行人物细节上的刻画，这位现代女子坐于窗边，长长的窗帘拢在一边。她双腿叠加一起，头侧偏向一边。窗外是低地景色。画家笔下的人物浪漫而清新，充满了生气的同时也显得亲切感十足，虽然构图简洁，但是意境十分迷人，体现出了春景人物的精气神，营造出富有美好风格的画面的氛围。
可以说，陈恺的作品有着强烈的人文气息，既能在技法运用上保持笔墨形式所具有的外在形式感与节奏感；同时，又能把风格统一于主题构思之中，不断得到凸显。在内外关系上，既保持形象的审美特征与观赏性，又强调其作品的文化内涵与艺术性，进而深化作品的思想深度与精神含量，传达出一种美而清谧，雅俗共赏的艺术风貌。陈恺的作品对传统有着一种精神守望与传承，对当下保持着一种文化自觉与清醒，他用思辨的眼光体味艺术，体味人生，展现时代的声音。
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