不能从真实中提炼美,就不叫油画,匈牙利人体油画中的性感美女!
央美老院长靳尚谊:不能从真实中提炼美,就不叫油画
现在所说的现实主义绘画、超现实主义绘画、批判现实主义绘画、印象主义绘画等,都是有了美术史专业后人为加上的流派名字。但其实,油画的基本模式就是情节性绘画,代表作就是达·芬奇《最后的晚餐》。
靳尚谊:中国人很喜欢油画,甚至要超过国画,特别是在年轻人中。从JF初到现在,美术学院油画专业的报考人数都是第一。俄罗斯对我国油画的影响之大,在于它使我们把欧洲油画的传统全面继承过来,使我国油画完成了从无到有的发展。以大型现实主义绘画为例,我国的油画家们在五十年代就进行了这方面的创作,他们在构图上是一流的,但是在技巧上不大好。这是很久以来人们不大清楚的一个事实。以前完全说反了,这是舆论要澄清的。
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靳尚谊:现在摄影术发达,照片成像清楚,颜色也接近画的颜色。但很多人不清楚,照着照片画与写生是两个概念——画照片是临摹不是写生,比写生容易。更重要的是,照片把现实人物简单化了!看真人画画的感觉极其丰富,但一拍照片就简化了,不可能像写生那样有意思、画出来丰富。因此,画照片永远达不到写生的效果。油画发展很快。个人感觉是,美展的油画整体水平很高,但没有尖子。所有的画全有问题,都是些基础的小问题。
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