『雕塑头条』香港浸會大學視覺藝術學院雕塑專業2020届本科生畢業作品 / 四六文摘

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香港浸會大學視覺藝術學院雕塑專業2020届本科畢業展

Hong Kong BaptistUniversity Academy of Visual Arts 2020 Graduation Show (Sculpture)

作為香港浸會大學視覺藝術學院雕塑系的助理教授，我很高興看到應屆畢業生在這幾年的成熟。經過三年的培育，他們都在多種形式、風格和媒體中找到了自己獨特的表達方式。香港浸會大學視覺藝術學院提供了廣泛的科技和設施，有傳統的雕塑，如泥土和石膏造型，青銅鑄造，以及木材和石雕。此外，數位科技，如三維掃描和列印，鐳射切割和等離子切割科技，形成了我們在浸會大學視覺藝術學教學的一個組成部分。這些畢業生為未來的發展做好了充分的準備，我祝願他們一切順利。

Ekkehard Altenburger（Dipl.Akad.MA）

香港浸會大學視覺藝術學院

雕塑助理教授

As Assistant Professor for Sculpture at theAcademy of Visual Arts in Hong Kong, I am delighted to see the maturity in thisyears’ graduating students. Having nurtured them through the past three years,they all have found their own individual ways of expression in a multitude offorms, styles and media. The Academy of Visual Arts in Hong Kong provides awide range of techniques and facilities, varying from traditional sculptingmethods such as clay and plaster molding, to bronze casting as well as wood andstone carving. Additionally, digital technologies such as 3D scanning andprinting, CNC laser and plasma cutting form an integral part of our teaching at AVA. These graduates are well prepared for their future pathways and I wishthem all the best.

Ekkehard Altenburger ( Dipl. Akad. MA)

Assistant Professor for Sculpture

Academy of Visual Arts HKBU

作者 Artist：盧卓瑶 Lo Cheuk Yiu

名稱 Title：《不再是夢的夢》 Über-dream

材料 Material：青石、鐵板 Bluestone, steel

尺寸 Size：350×253×247cm

指導老師 Supervisor：Ekkehard Altenburger

作品說明 Artwork Statement：

人的行為反映人的思想。人的動作反映人的信念。似是而非的空想浮游於半空中。等待的，應是勇敢堅毅的踏出一步，塑造出無限的可能性。儘管蹣跚學步，環環相扣的命運總會把人引向一段獨一無二的生命歷程。

在《不再是夢的夢》中，小孩穿戴著中國古代的蓑衣。古時，風雪交加，孩子們披上單薄的蓑衣，可謂「千磨萬擊還堅勁，任爾東西南北風」。作品石材的選用托物言志，托堅韌頑強的石頭，言為夢想無畏無懼地探索的精神。作品中運用的幾何鐵板把古時剛強的精神結合現代的資料，連結現代社會，創造了反思自身心靈和生命的空間。

One’s behaviours reflect one’sthinking; one’s actions reflect one’s beliefs. Instead ofindulging in daydreams, one needs to step out bravelyand determinedly, and strives to createinfinitepossibilities. Despite being inexperienced, one may liveout a unique side of life through the intertwiningfate.

In über-dream, the depicted child is wearing suoyi,a type oftraditional Chinese raincoat. In ancient times, children puton this thin raincoat in stormy and snowy weather. The choice of stone inthis work embodies the tenacity of achieving dreams and the spiritof fearless exploration. The geometric iron plates are madeof modern, industrial materials, yet it communicates the spirit ofdetermination and perseverance from ancient times, connecting with contemporary society, creating spacefor reflection upon our soul and life.

創作照 Process：

作者 Artist：張嫣玹 Chong YanXuan

名稱 Title：《偷生》 Mundane Existence

材料 Material：電綫廢料、電綫碼、黃銅針 Electricaltubing waste, brass buckle clips, brass pin

尺寸 Size：尺寸可變 Dimensions variable

指導老師 Supervisor：程詩賢博士 Dr.Cicy Ching

作品說明 Artwork Statement：

《偷生》是一系列由電線廢料雕成的草本植物胸針。這些胸針參攷了在鬧市中偷生的各種雜草而成。它們卑微地為其他生命體作出貢獻，正如電力成就了都市的繁華。將它們配戴在胸口上，讓我們更近距離觀賞它們，提醒我們要對微小的事物感恩。

Mundane Existence is a series of herb brooches made from found electrical tubing waste.These brooches reference miscellaneous types of weed plants growing inunplanned areas in the city. Subtle as they are, their existence provides vitalhelp to various life forms, just like how electricity is essential to a city’sprosperity. By wearing them, not only can we admire them up close, but alsokeep them close to our hearts and be remind- ed to appreciate the significanceof the small things in our daily life.

創作照 Process：

作者 Artist：鐘咏堤 Chung Wing Tai, Jessica

名稱 Title：《泡沫》 Bubble

材料 Material：鐵枝、玻璃、水 Iron, glass, water

尺寸 Size：尺寸可變 Dimensions variable

指導老師 Supervisor：Ekkehard Altenburger

作品說明 Artwork Statement：

「泡沫」是一份描述記憶的作品。

藝術家主要研究人類記憶的組成，並嘗試以抽象的形式表達記憶的存在。藝術家認為記憶就像拼圖，人們不斷把零碎的片段結合，從而組合成畫面、一段影像。

他們决定記憶的本身，但或許每一個零碎的拼圖可能早已被扭曲，所以最後合成的亦非事實的真相。

情感、想像力，往往影響每一個細節。誰又能確保所謂的記憶不是你的幻想，而那曾經的幻想，又於何時擾亂你的記憶呢？

Memories are similar to puzzles. Peopleperceive images differently in their minds and form a “documentary” of theirexperiences. They believe what they remember is true and real. However,interfered by emotions and imagination, memories are not always as fresh asthey seems.The happiness you feel in the moment may somehow sugar-coat yourexperience. Who can tell whether the memories in their minds are not comingfrom their imagination?

創作照 Process：

作者 Artist：麥穎欣 Mak Wing Yan

名称 Title：《南山》 The southern hills

材料 Material：菊花色素染布 Fabrics dyed with pigments extracted from chrysanthemums

尺寸 Size：尺寸可變 Dimension variable

指導老師 Supervisor：伍韶勁 Mr. Ng Siu King, Kingsley

作品說明 Artwork Statement：

東晉詩人陶淵明謂：「采菊東籬下，悠然見南山。」處車馬喧囂之世，任誰都難免會感到身心疲憊。也許我們沒法像世外隱士一樣隱於野，但心遠地自偏，近在眼前的南山總能被找到。

麥穎欣引用周敦頤之詩：「予謂菊，花之隱逸者也。」她以菊花為材，作草木染布，將一刹陶然的光影染成永恒，盼觀眾在都市裏也能體驗寂靜安然的心理狀態。

The poet TAO Yuanming from eastern JinDynasty once wrote:‘From the eastern hedge, I pluck chrysanthemum flowers, andidly, I look towards the southern hills.’In the hustle and bustle of life, itis inevitable for most people to feel physically and mentally tired. Maybe onecannot escape from the reality like hermits, yet a distant heart tends towardslike places, where the‘southern hills’are located.

作者 Artist：歐卓妍 Au Cheuk In

名称 Title：《源圓》 It’s all round

材料 Material：玻璃片雕刻、玻璃片粉末燒製瓷器 Engraving on window glass,window glass powder fired on porcelain

尺寸 Size：共三件，玻璃片：100×100×12 cm、瓷球：10×10×10 cm、瓷球碎片：尺寸不定 Dimension variableSet of three, window glass:100 × 100 × 12 cm, porcelain ball: 10 × 10 × 10 cm, porcelain ball pieces: sizevariable

指導老師 Supervisor：Ekkehard Altenburger

作品說明 Artwork Statement：

「看著那些留下與離去的，我再也不帶有那些情緒，因為我明白，我們都要學會擁抱生而為人的衝突。」

《源圓》啟發自歐卓妍的成長經歷及對人性的疑問。習慣性欺騙他人、逃避問題是人的劣根性，我們總希望所有東西是完美的。但無論是一個多麼善良誠懇的人，也會存在著善意的謊言。唯獨面對著神靈和動物，我們才會擁有一絲真誠，而這種真誠的背後，是建基於蕩然的接受。

接受和坦誠的結論是要學會學習和吸取一切缺陷與經歷所帶來的碎片。

「把那些經歷磨走的粉末蓋在身上，把它們化作保護你自己與坦誠的護盾。」

‘Looking at those who come and go, I stop carry any emotions. Itis because I understand that we need to learn to embrace the contradictions asa human.’

“All Round” is inspired by Cathy AU Cheuk In’s personal growthexperience and the doubts about human nature. Habitually deceiving others andevading problems are human’s deep-rooted depravity. We always hope thateverything will be perfect. However, no matter how kind and sincere a personis, there are still lies, white lies. Only when we are in front of Gods andanimals, we are honest. The root of honesty builds on true acceptance of yourtrue self.

The sole way to accept your true self is by acknowledging yourdefection, being honest to your imperfection, and learning from yourexperiences. All experiences are part of the fragments for us to grow.

‘Cover with the powder from differentexperiences has taken away from you, and turn it into a shield to protectyourself and your honesty.’

創作照 Process：