山水画技法12-14
王颂余画石(续1)
这本《百石谱》1988年出版,后又多次再版,但现在已经很难在市面见到了,我整理出来希望对初学山水画的朋友们有所帮助!
下面是图版原题
此稿边勾边皴,皴与轮廓在离即之间。(王颂余印)
连勾带皴,机到笔随,勾与皴在离即之间。
前人说画石毋令块块可以单取出。
![](http://pic.ikafan.com/imgp/L3Byb3h5L2h0dHBzL2ltYWdlMTA5LjM2MGRvYy5jbi9Eb3dubG9hZEltZy8yMDIwLzExLzAyMTUvMjA2MjM1Nzc2XzFfMjAyMDExMDIwMzAxMTkyMTI=.jpg)
![](http://pic.ikafan.com/imgp/L3Byb3h5L2h0dHBzL2ltYWdlMTA5LjM2MGRvYy5jbi9Eb3dubG9hZEltZy8yMDIwLzExLzAyMTUvMjA2MjM1Nzc2XzJfMjAyMDExMDIwMzAxMTkzMDY=.jpg)
![](http://pic.ikafan.com/imgp/L3Byb3h5L2h0dHBzL2ltYWdlMTA5LjM2MGRvYy5jbi9Eb3dubG9hZEltZy8yMDIwLzExLzAyMTUvMjA2MjM1Nzc2XzNfMjAyMDExMDIwMzAxMTkzNjg=.jpg)
![](http://pic.ikafan.com/imgp/L3Byb3h5L2h0dHBzL2ltYWdlMTA5LjM2MGRvYy5jbi9Eb3dubG9hZEltZy8yMDIwLzExLzAyMTUvMjA2MjM1Nzc2XzRfMjAyMDExMDIwMzAxMTk0MzE=.jpg)
![](http://pic.ikafan.com/imgp/L3Byb3h5L2h0dHBzL2ltYWdlMTA5LjM2MGRvYy5jbi9Eb3dubG9hZEltZy8yMDIwLzExLzAyMTUvMjA2MjM1Nzc2XzVfMjAyMDExMDIwMzAxMTk4Mzc=.jpg)
![](http://pic.ikafan.com/imgp/L3Byb3h5L2h0dHAvaW1hZ2UxMDkuMzYwZG9jLmNuL0Rvd25sb2FkSW1nLzIwMjAvMTEvMDIxNS8yMDYyMzU3NzZfNl8yMDIwMTEwMjAzMDEyMDE4MQ==.jpg)
山水画技法13
王颂余画石(续2)
皴要无轮廓浑融相接,象天生自然之纹理(颂余)
方笔画石期于折处使转,则免强曲暴突之失。(颂余画印)
磊堆之石要参伍错综迩络成势(王颂余印)
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山水画技法14
王颂余画石(续3)
取石之机构,向有大间小小间大之法(王为)
(王颂余印)此图无题,我于石侧添一松树,取“松石双清”之意。
(王颂余印)此图无题,由于时代印刷水平所限,未能体现先生笔墨精妙之处,我在先生图稿基础上,加墨如此,山涧流水潺潺,尚可一观!
初学山水者,习颂余先生法,必是正途。先生用笔清晰,如椎画沙,劲健有力。乃津门画坛之翘楚。
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2020-06-27 21:24:08
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