他画笔下的人物，纯净空灵，洗涤心灵！
绘画的原理是意在笔先,
在绘画之前一定要做到胸有成竹,
绘画不是画的像的就是好的,
把握好型体结构就能轻而易举地捉住对象的神态!
瑶族姑娘
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黄华兆
广西壮族人，
1977年生于广西防城港
研究生毕业于广西艺术学院
现为广西艺术学院外聘硕士研究生导师
还是国家一级美术师
曾担任防城港市画院副院长、市美协理事
现为《中国水彩》杂志的编辑
曾多次举办个人画展
水彩、油画等作品多次入选全国美展
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广西是一个
少数民族人民集居较多的城市
作为这里的本土人民的他，
不仅喜爱当地的少数民族
更是对藏族人民热爱不已
在他的创作中占绝大部分的是
以藏民为对象的作品
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他在水彩创作的搭配上很有独特感
他能很自然地将两个画种融合起来
既保持了水彩画的清新淡雅
也追求油画般的写实与厚重
给人营造一种水彩的新颖感
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他的水彩作品颜色层次分明美不胜收
变换莫测的晕染效果和细腻的线条勾勒
再加上中国风的氛围营造
整体的灰色调与写实手法相结合
似乎赋予作品中的人物一种灵动的生机
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他运用独特的技巧表现一种超写实的画面
写实的技艺与水彩自身的斑驳水痕
呈现出的人物有一种细而不腻的真挚情感
能在瞬间就把观赏者带进一个情感细腻的内心世界
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他笔下塑造的父亲形象
是老实朴素的状态
用浓厚的颜色加上细腻的笔触
勾勒出父亲被岁月洗礼后的面容
彝族姑娘
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颜色淡彩柔和形象生动
眼睛就是心灵的窗户
画面中女子的眼睛就像会说话一样
在他笔下的姑娘就仿佛下一秒就能越出画纸
傣族姑娘
壮族姑娘
兴安瑶族姑娘